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  • Binding: Sheet music

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Thursday 27 March 2014

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(Applause Acting Series). Widely recognized as the most complete and rigorous text of its kind since it was first published in 1942, Speak With Distinction is an invaluable resource. It presents a comprehensive study of the sounds of Spoken English in their most important phonetic environments. This most recent revision also adds much material for comparisons of speech sounds; suggestions for accurate, efficient and conversational ways of combining the sounds into connected utterance; indications that foster a working knowledge of two dialects of speech (General American and what Mrs. Skinner called Good Speech for classic and elevated texts); and beginning material to show application of the principles of Good Speech to well-written texts. Some important additions to the book are the extensive Glossary and Index, abundant guides to pronunciations, new sections featuring such details as the complete "Ask-List" of words, a program for the elimination of glottal attacks of vowel and dipthong sounds, greatly expanded practice material of phrases and sentences, and an updated Chart showing several levels of phonetic transcription and spelling equivalents in current usage. Speak With Distinction can be used in several ways: as a primary educational textbook for both the beginning and advanced actor; as a supplementary textbook for teachers and students who have their own methods and agenda for study; and as a reference book for teachers, speech coaches and directors.

  • Sales Rank: #62340 in Books
  • Published on: 1990
  • Released on: 2000-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.43" h x .98" w x 6.62" l, 1.66 pounds
  • Binding: Paperback
  • 406 pages

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2 of 2 people found the following review helpful.
Useful in a way
By Al Espinoza
As the title says "Speak with Distinction", the emphasis is on "distinction". How distinct the speech described in this book? It is distinct from any dialect in the states--whether is general american (mid western) or new york/boston or southern. It is called 'Standard' in some circles. This stage standard was ( is? ) taught in many conservatories, theater/voice schools across the states. Recently, there is a backlash against this kind of teaching to aspiring actors, and this backlash has resulted in "Knight-Thompson speechwork", whose book is "Speaking with skill: a skills based approach to speech training".

What is this book good for? If you want a set of words with a particular vowel (lexical sets), or a particular combination of consonants (start, end and middle), this is handy. This book also contains many phrases, sentences, tongue twisters of a sort. You can use this book as reference and use the dialect/accent (say Jamaican accent) to train your students.

0 of 0 people found the following review helpful.
Five Stars
By GS Account
Good school book

8 of 8 people found the following review helpful.
The actors guide to speech!
By Bobat
This book is a MUST have for any actor or public speaker. It goes over the phonetic alphabet and teaches you how to say all the vowels and consonants spot on. It helps you shape your mouth and your tongue for proper sounds. It teaches you how to write and read phonetics. If you want to speak well or use a dialect well, this book is needed. This book should be in every actors home! NO EXCUSES! Amazing. Written by the one and only Edith Skinner. Look her up if you do not know her. OWN THIS BOOK!

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Into the Void: Star Wars (Dawn of the Jedi) (Star Wars: Dawn of the Jedi - Legends), by Tim Lebbon

On the planet Tython, the ancient Je’daii order was founded. And at the feet of its wise Masters, Lanoree Brock learned the mysteries and methods of the Force—and found her calling as one of its most powerful disciples. But as strongly as the Force flowed within Lanoree and her parents, it remained absent in her brother, who grew to despise and shun the Je’daii, and whose training in its ancient ways ended in tragedy.

Now, from her solitary life as a Ranger keeping order across the galaxy, Lanoree has been summoned by the Je’daii Council on a matter of utmost urgency. The leader of a fanatical cult, obsessed with traveling beyond the reaches of known space, is bent on opening a cosmic gateway using dreaded dark matter as the key—risking a cataclysmic reaction that will consume the entire star system. But more shocking to Lanoree than even the prospect of total galactic annihilation, is the decision of her Je’daii Masters to task her with the mission of preventing it. Until a staggering revelation makes clear why she was chosen: The brilliant, dangerous madman she must track down and stop at any cost is the brother whose death she has long grieved—and whose life she must now fear.

  • Sales Rank: #1928887 in Books
  • Published on: 2013-05-07
  • Released on: 2013-05-07
  • Formats: Audiobook, Unabridged
  • Original language: English
  • Number of items: 9
  • Dimensions: 5.93" h x 1.15" w x 5.08" l, .55 pounds
  • Running time: 630 minutes
  • Binding: Audio CD

Review
“In a story filled with adventure, intrigue, and great quotes, there’s a lot to like in this book. Tim Lebbon dives into his very first Star Wars story with a great deal of success. He manages to spin a tale that feels like Star Wars, but also feels different from other stories that have been told before. While there is some threat of system wide destruction, the point is never pushed to being ridiculous. The characters feel believable and provoke interest. The attention to the characters never takes away from the plot. There’s also a remarkable balance between world building, plot and character development, and action. When it comes down to it, Dawn of the Jedi: Into the Void is just great storytelling.”—Roqoo Depot

“A nice, compact Star Wars tale that both acts as an introduction to the Dawn of the Jedi period and a standalone story.”—Club Jade

“A solidly enjoyable read . . . a nice addition to the Expanded Universe.”—Tosche Station

“A good solid Star Wars adventure story with heart.”—Knights’ Archive

About the Author
Tim Lebbon is a New York Times bestselling writer whose recent books include The Secret Journeys of Jack London series (co-authored with Christopher Golden), Echo City, The Island, and Bar None. He has won four British Fantasy Awards, a Bram Stoker Award, and a Scribe Award, and has been a finalist for International Horror Guild, Shirley Jackson, and World Fantasy awards.

Excerpt. � Reprinted by permission. All rights reserved.
Chapter One

dark matters

Even at the beginning of our journey I feel like a rock in the river of the Force. Lanoree is a fish carried by that river, feeding from it, living within it, relying on the waters for her well-�being. But I am unmoving. An inconvenience to the water as long as I remain. And slowly, slowly, I am being eroded to nothing.

—�Dalien Brock, diaries, 10,661 TYA

She is a little girl, the sky seems wide and endless, and Lanoree Brock breathes in the wonders of Tython as she runs to find her brother.

Dalien is down by the estuary again. He likes being alone, away from all the other children at Bodhi, the Je’daii Temple of the Arts. Her parents have sent her to find him, and though they still have some teaching to do that afternoon, they’ve promised that they will walk up to the boundary of the Edge Forest that evening. Lanoree loves it up there. And it scares her a little, as well. Close to the temple, near the sea, she can feel the Force ebbing and flowing through everything—�the air she breathes, the sights she sees, and all that makes up the beautiful scenery. Up at the Edge Forest, there’s a primal wildness to the Force that sets her blood pumping.

Her mother will smile and say that she will learn about it all, given time. Her father will look silently into the forest, as if he silently yearns to explore that way. And her little brother, only nine years old, will start to cry.

Always at the Edge Forest, he cries.

“Dal!” She swishes through the long grasses close to the riverbank, hands held out by her sides so that the grass caresses her palms. She won’t tell him about the walk planned for that evening. If she does he’ll get moody, and he might not agree to come home with her. He can be like that sometimes, and their father says it’s the sign of someone finding his own way.

Dal doesn’t seem to have heard her, and as she closes on him she slows from a run to a walk and thinks, If that was me I’d have sensed me approaching ages ago.

Dal’s head remains dipped. By his side he has created a perfect circle using the stones of chewed mepples, his favorite fruit. He does that when he’s thinking.

The river flows by, fast and full from the recent rains. There’s a power to it that is intimidating, and, closing her eyes, Lanoree feels the Force and senses the myriad life-�forms that call the river home. Some are as small as her finger, others that swim upriver from the ocean almost half the size of a Cloud Chaser ship. She knows from her studies that many of them have teeth.

She bites her lip, hesitant. Then she probes out with her mind and—�

“I told you to never do that to me!”

“Dal . . .”

He stands and turns around, and he looks furious. Just for a moment there’s a fire in his eyes that she doesn’t like. She has seen those flames before, and carries the knotted scar tissue in her lower lip to prove it. Then his anger slips and he smiles.

“Sorry. You startled me, that’s all.”

“You’re drawing?” she asks, seeing the sketchbook.

Dal closes the book. “It’s rubbish.”

“I don’t believe that,” Lanoree says. “You’re really good. Temple Master Fenn himself says so.”

“Temple Master Fenn is a friend of Father’s.”

Lanoree ignores the insinuation and walks closer to her brother. She can already see that he has chosen a fine place from which to draw the surroundings. The river curves here, and a smaller tributary joins from the hills of the Edge Forest, causing a confusion of currents. The undergrowth on the far bank is colorful and vibrant, and there’s a huge old ak tree whose hollowed trunk is home to a flight of weave birds. Their spun golden threads glisten in the afternoon sun. The birdsong complements the river’s roar.

“Let me see,” Lanoree says.

Dal does not look at her, but he opens the pad.

“It’s beautiful,” she says. “The Force has guided your fingers, Dal.” But she’s not sure.

Dal picks a heavy pencil from his pocket and strikes five thick lines through his drawing, left to right, tearing the paper and ruining it forever. His expression does not change, and neither does his breathing. It’s almost as if there is no anger at all.

“There,” he says. “That’s better.”

For a moment the lines look like claw marks, and as Lanoree takes a breath and blinks—�

A soft, insistent alarm pulled her up from sleep. Lanoree sighed and sat up, rubbing her eyes, massaging the dream away. Dear Dal. She dreamed of him often, but they were usually dreams of those later times when everything was turning bad. Not when they were still children for whom Tython was so full of potential.

Perhaps it was because she was on her way home.

She had not been back to Tython for more than four years. She was a Je’daii Ranger, and so ranging is what she did. Some Rangers found reasons to return to Tython regularly. Family connections, continuous training, face-�to-�face debriefs, it all amounted to the same thing—�they hated being away from home. She also believed that there were those Je’daii who felt the need to immerse themselves in Tython’s Force-�rich surroundings from time to time, as if uncertain that their affinity with the Force was strong enough.

Lanoree had no such doubts. She was comfortable with her strength and balance in the Force. The short periods she had spent with others on retreats on Ashla and Bogan—�a voluntary part of a Padawan’s training, should they desire to go—�had made her even more confident in this.

She stood from her cot and stretched. She reached for the ceiling and grabbed the bars she’d welded there herself, pulling up, breathing softly, then lifting her legs and stretching them out until she was horizontal to the floor. Her muscles quivered, and she breathed deeply as she felt the Force flowing through her, a vibrant, living thing. Mental exercise and meditation were fine, but sometimes she took the greatest pleasure in exerting herself physically. She believed that to be strong with the Force, one had to be strong in body.

The alarm was still ringing.

“I’m awake,” she said, easing herself slowly back to the floor, “in case you hadn’t noticed.”

The alarm snapped off, and her Peacemaker ship’s grubby yellow maintenance droid ambled into the small living quarters on padded metal feet. It was one of many adaptations she’d made to the ship in her years out in the Tythan system. Most Peacemakers carried a very simple droid, but she’d updated hers to a Holgorian IM-�220, capable of limited communication with a human master and other duties not necessarily exclusive to ship maintenance. She’d further customized it with some heavy armor, doubling its weight but making it much more useful to her in risky scenarios. She spoke to it, its replies were obtuse, and she supposed it was the equivalent of trying to communicate with a grass kapir back home. She had even named it.

“Hey, Ironholgs. You better not have woken me early.”

The droid beeped and scraped, and she wasn’t sure whether it was getting cranky in its old age.

She looked around the small but comfortable living quarters. She had chosen a Peacemaker over a Hunter because of its size; even before she’d flown her first mission as a Je’daii Ranger, she knew that she would be eager to spend much of her time in space. A Hunter was fast and agile but too small to live in. The Peacemaker was a compromise on maneuverability, but she had spent long periods living alone on the ship. She preferred it that way.

And like most Rangers, she had made many modifications and adaptations to her ship that stamped her own identity upon it. She’d stripped out the table and chairs and replaced them with a weights and tensions rack for working out. Now, she ate her food sitting on her narrow cot. She’d replaced the holonet entertainment system with an older flatscreen, which doubled as communications center and reduced the ship’s net weight. Beside the extensive engine compartment there had been a small room that housed a second cot for guests or companions, but because she had neither she had filled the space with extra laser charge pods, a water recycling unit, and food stores. The ship’s four laser cannon turrets had also been upgraded, and it now also carried plasma missiles, and drone missiles for long-distance combat. At the hands of the Cathar master armorer Gan Corla, the cannons now packed three times more punch and were effective over twice the range as those standard to Peacemakers.

She had also altered and adapted the function and position of many cockpit controls, making it so that only she could effectively fly the ship. It was hers, it was home, and that was how she liked it.

“How long to Tython?” she asked.

The droid let out a series of whines and clicks.

“Right,” Lanoree said. “Suppose I’d better freshen up.” She brushed a touch pad and the darkened screens in the forward cockpit faded to clear, revealing the star-�speckled view that never failed to make her heart ache. There was something so profoundly moving to the distance and scale of what she saw out there, and the Force never let her forget that she was a part of something incomprehensibly large. She supposed it was as close as she ever came to a religious epiphany.

She touched the pad again and a red glow appeared, surrounding a speck in the distance. Tython. Three hours and she’d be there.

The Je’daii Council ordering her back to Tython meant only one thing. They had a mission for her, and it was one that they needed to discuss face-�to-�face.

***

Washed, dressed, and fed, Lanoree sat in the ship’s cockpit and watched Tython drawing closer. Her ship had communicated with sentry drones orbiting at thirty thousand kilometers, and now the Peacemaker was performing a graceful parabola that would take it down into the atmosphere just above the equator.

She was nervous about visiting Tython again, but part of her was excited as well. It would be good to see her mother and father, however briefly. She contacted them far too infrequently. With Dal dead, she was now their only child.

A soft chime announced an incoming transmission. She swiveled her seat and faced the flatscreen, just as it snowed into an image.

“Master Dam-�Powl,” Lanoree said, surprised. “An honor.” And it was. She had expected the welcoming transmission to be from a Je’daii Ranger or perhaps even a Journeyer she did not know. Not the Cathar Je’daii Master.

Dam-�Powl bowed her head. “Lanoree, it’s good to see you again. We’ve been eagerly awaiting your arrival. Pressing matters beg discussion. Dark matters.”

“I assumed that was the case,” Lanoree said. She shifted in her seat, unaccountably nervous.

“I sense your discomfort,” Master Dam-�Powl said.

“Forgive me. It’s been some time since I spoke with a Je’daii Master.”

“You feel unsettled even with me?” Dam-�Powl asked, smiling. But the smile quickly slipped. “No matter. Prepare yourself, because today you speak with six Masters, including Stav Kesh’s Temple Master Lha-�Mi. I’ve sent your ship the landing coordinates for our meeting place thirty kilometers south of Akar Kesh. We’ll expect you soon.”

“Master, we’re not meeting at a temple?”

But Dam-�Powl had already broken the transmission, and Lanoree was left staring at a blank screen. She could see her image reflected there, and she quickly gathered herself, breathing away the shock. Six Je’daii Masters? And Lha-�Mi as well?

“Then it is something big.”

She checked the transmitted coordinates and switched the flight computer to manual, eager to make the final approach herself. She had always loved flying and the freedom it gave her. Untethered. Almost a free agent.

Lanoree closed her eyes briefly and breathed with the Force. It was strong this close to Tython, elemental, and it sparked her senses alive.

Most helpful customer reviews

5 of 5 people found the following review helpful.
4 stars for originality, freshness, and a new ...
By Porfinicle
4 stars for originality, freshness, and a new and different look st Star Wars. For just the writing and plot I would give about 3-1/2 stars. There is one main plot line, that is fairly strait forward, and follows Lanoree Brock's relationship with her brother in the past and in the present. If you are going to read the Dawn of the Jedi comic series this book is a must read. Reading this book first allows you to jump right into the comic series without feeling lost. Through Lanoree you are introduced to the Tython system and the Je'daii's unique understanding of the force. The Je'daii do not focus on just the light side of the force, but instead the balance between the light and the dark. This allows them to occasionally do some very dark things, which is something we are unaccustomed to seeing of the Jedi. One of the payoffs towards the end of the book shows Lanoree going to a very dark place.

1 of 1 people found the following review helpful.
An okay story
By Mike S.
This book is really a story involving the precursor to the Jedi, called the Je'daii, which were really more like samurai than the Jedi knights we know of from the movies and the other books. They wield swords that they make themselves, but do not use lightsabers. The narrative is about finding balance between the light and dark sides of the force, but not adhering to one or the other. There is really nothing in the story about the transition the Je'daii took to becoming the Jedi. That would have actually made for a better story in the long run.

This story involves a Je'daii ranger named Lanoree Brock, who is on a mission to stop her brother Dal, from opening a hypergate (which seems to be akin to a wormhole) which would open a gateway to other galaxies. It jumps back and forth between flashbacks of Lanoree and Dal's Je'daii training and the present day chase. I think way too much was focused on the flashbacks, and a lot of that could have been removed. It does help set up the confrontation itself, but also gets in the way at times. It would have made for a better read to have the flashback material in the first few chapters, then flash forward and tell the chase story uninterrupted.

Overall it is a good self contained story. Given that it takes place thousands of years before the battle of Yavin, none of the characters from either movie trilogy are even hinted at in this book. You can definitely see the set up for what will ultimately become the Jedi, and even how their philosophy of balance between light and dark could have created the Sith, but that is really all in the background. While it makes for an interesting short read, it is not really one of the novels I would read multiple times.

0 of 0 people found the following review helpful.
Not Bad
By Michael Stabile
My biggest complaint: Considering how long before 'A New Hope' this story takes place, I was disappointed by how similar everything is to the time of the empire reign. Lightsabers, hyperdrive, and a different philosophy regarding the light and dark sides of the force are the only things the galaxy has gained in 5000 years. I was hoping to experience a very different galaxy within the Star Wars mythos- One where space travel was much more rare and cumbersome, now-extinct species live, and different reasons exist for the war-filled galaxy with subtle hints of the future to come. The galaxy in this book is nearly identical to its very distant future.

My favorite thing: Lanoree is a great character, and the story made me want to continue following her journey. I love the force-balance philosophy. She's light and dark, and it's really cool. Plus, learning about the Je'daii was fun. Though, I wish there were more differences between them and the Jedi.

Overall, I enjoyed this story, but it is the weakest of the many Star Wars novels I've read.

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Tuesday 25 March 2014

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Sinonasal Surgery is part of the popular series Surgical Techniques in Otolaryngology - Head & Neck Surgery. This volume is a practical guide for otolaryngologists providing an overview of the most common, and some of the more advanced procedures performed in nose and sinus surgery. Edited by a team of recognised US based otolaryngologists, this authoritative atlas is unique in its scope. The book first outlines the basic principles of rhinologic practice, followed by sections on Inflammatory Sinus Disease, Adjunctive Surgical Procedures, Nasal Tumours and Endoscopic Skull Base Surgery. Each chapter presents an evidence-based approach to the development of each surgical procedure, and a description of the techniques, with intraoperative photographs and discussion on the benefits and pitfalls of each one. Additional descriptions of newer surgical methods such as balloon dilation of the sinuses, endoscopic transodontoid approaches, and nasopharyngectomy, make Sinonasal Surgery an up-to-date, essential text for the practising otolaryngologist. Key points * Edited by US-based team of ENT specialists * Part of an authoritative series Surgical Techniques in Otolaryngology-Head & Neck Surgery * Other topics in this comprehensive series include: Head and Neck Surgery, Otologic and Neurotologic Surgery, Laryngeal Surgery, Pediatriac Otolaryngologic Surgery and Facial Plastic and Reconstructive Surgery

  • Sales Rank: #3578015 in Books
  • Published on: 2015-01-31
  • Original language: English
  • Dimensions: 10.75" h x 8.50" w x 1.00" l, 2.75 pounds
  • Binding: Hardcover
  • 278 pages

About the Author
Spencer C Payne MD Associate Professor of Otolaryngology - Head & Neck Surgery and Allergy & Clinical Immunology, Department of Otolaryngology - Head & Neck Surgery University of Virginia Health System, Charlottesville, VA, USA Ameet Singh MD Associate Professor of Otolaryngology & Neurosurgery, Director, Rhinology & Skull-Base Surgery, Co-Director, Endoscopic Pituitary & Skull Base Surgery George Washington University Medical Center, Washington D.C., USA Bradford A Woodworth MD James J. Hicks Associate Professor of Surgery, Division of Otolaryngology, Director of Otolaryngology Research & Associate Scientist, Gregory Fleming James Cystic Fibrosis Research Center, University of Alabama School of Medicine, Birmingham, AL, USA

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Monday 10 March 2014

[Y722.Ebook] Download Introduction to Functional Analysis, by Angus E. Taylor

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Analyzes the theory of normed linear spaces and of linear mappings between such spaces, providing the necessary foundation for further study in many areas of analysis. Strives to generate an appreciation for the unifying power of the abstract linear-space point of view in surveying the problems of linear algebra, classical analysis, and differential and integral equations. This second edition incorporates recent developments in functional analysis to make the selection of topics more appropriate for current courses in functional analysis. Additions to this new edition include: a chapter on Banach algebras, and material on weak topologies and duality, equicontinuity, the Krein-Milman theorem, and the theory of Fredholm operators. Greater emphasis is also placed on closed unbounded linear operators, with more illustrations drawn from ordinary differential equations.

  • Sales Rank: #3000892 in Books
  • Brand: Brand: John Wiley n Sons Inc
  • Published on: 1958
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 423 pages
Features
  • Used Book in Good Condition

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0 of 2 people found the following review helpful.
Five Stars
By Ahmed
a very good quality.

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Friday 7 March 2014

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Palm mats and pilgrim tokens, manuscript illuminations and church frescoes, gold and enamel reliquaries and papier-m�ch� figurines, Russian icons and Mexican murals: What makes these works of art Christian? And what, as such, distinguishes them from other works? These are the questions at the center of this book, which is at once a sumptuously illustrated survey of Christian art over time and across the globe and a probing study of what "Christian art" really means, how it functions, where it arises, and whom it serves.

Rowena Loverance draws extensively on the vast international collections of the British Museum, with its remarkable examples of Christian art in the fourth-century Roman empire, the meeting of Eastern and Western art during the Crusades, Christian missionary art and its reception in sixteenth-century Africa, India, and Japan, and twentieth-century Christian popular art from Latin America and Oceania. The Museum's collections of decorative arts yield original and lesser-known Christian iconography, allowing the author to show how Christian and other artists have responded to a variety of visual traditions. Within the European convention, the book considers the assaults of post-Renaissance scientific and philosophical discoveries and concludes with an assessment of the current state of Christian art at the beginning of the twenty-first century.

  • Sales Rank: #1395704 in Books
  • Published on: 2007-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: .82" h x 7.74" w x 10.02" l, 2.19 pounds
  • Binding: Hardcover
  • 248 pages

About the Author
Rowena Loverance is the head of e-learning at the British Museum, a Visiting Research Fellow at King’s College London, and the coeditor of the Bulletin of British Byzantine Studies.

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0 of 0 people found the following review helpful.
Refreshing new perspectives
By Dr. L. Murgatroyd
This is a beautiful wide-ranging book covering Christan art from the last 2000 years around the world. It is a refreshing change from the narrow, Western perspectives of most publications. Well-Informed and inspiring , it shows how the Christian message has been interpreted visually in different cultures and gives fresh insights about Christianity, cultural diversity and art. Rowena Loverance knows her stuff about art and knows how to write, and this book has been well produced, so makes a lovely gift for others as well as oneself.

2 of 5 people found the following review helpful.
The only merit is the quality of the photo reproductions
By Amazon Customer
If you subscribe to ecumenical world beliefs and don't have any interest in understanding Christian theology or sound exegesis of scripture, this is a good book for you. The author does state her religious background and hints at her bias in the beginning pages (which I greatly respected) so I knew going in that the content would be slanted to meet her presuppositions. In terms of the art she selects as examples, she drew from a large pool of artists working in different media, time periods, and cultural backgrounds so there is much diversity but all of it is tied loosely together by general themes and ideas/musings. Her explanation to include artworks that were made by artists who are not Christian but offer some commentary upon Christianity is understandable but really confuses what her point really is... which I read to be something like, for Christian art to be viable and culturally relevant, it needs to abandon the communication of theological substance and focus only on messages of moral do-goodism and embrace our new standards of autonomy and individual rights. If this is the case then ultimately there is no meaning and significance in calling something "Christian" because anything can be "christian".

What she gets horribly wrong is interpreting every work from a humanistic perspective that highlights Jesus as a social and moral teacher and obscures the claim of his true identity, the Son of God.

If a theologian, such as D.A. Carson for example, were to write a book on the significance of German Expressionism, it would be dismissed, and rightly so. This book demands the same response.

8 of 12 people found the following review helpful.
NOT AN ART BOOK!!
By W. Sockwell
I bought this book expecting the pages to be filled with beautiful plates of Christian paintings from the beginning of the Church through the Renaissance, but was deeply disappointed with what I got. Loverance, a Leftist Brit, spends much of the book heavy on text expounding on her radical Socialist political views. The talks of "man-made global warming", or "climate change", or whatever they're calling it this week, as well "empowerment of women" and issues of education and anti-gun diatribes are abound throughout the book. In fact, she even says in the introduction that this is NOT a book on the history of art! So why is it called "Christian Art" instead of "The Revival of the Communist Manifesto"? If you love far Left politics, this is your book. However, don't be deceived as I was by the title and expect a history of Christian art through the years. You will be bitterly disappointed! No wonder I found the book so cheap on Amazon!

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Saturday 1 March 2014

[U113.Ebook] Download Ebook Brigitte Bardot: A Biography, by Barnett Singer

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Brigitte Bardot: A Biography, by Barnett Singer

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Brigitte Bardot: A Biography, by Barnett Singer

Actress and sex symbol Brigitte Bardot had a stunning career in France and America in the mid-20th century. Since the 1970s, she has dedicated her life to the welfare and protection of animals, with much personal involvement. In this book the author makes the case that far from being a pretty face or a spotlight grabber, Bardot was an accomplished actress and has always been an intelligent, sensitive individual. Chapters acquaint readers with her Paris childhood and her rebellious coming of age in a Catholic bourgeois family, who disapproved when she appeared on the cover of Elle magazine and was offered a screen test. The book examines her years in film (with careful analysis of her films) and also covers her tumultuous personal life, including suicide attempts, and the beginnings of her interest in animal protection. Final chapters detail her efforts in worldwide animal welfare activism, including the work of her own international foundation.

  • Sales Rank: #1347516 in Books
  • Brand: Brand: McFarland
  • Published on: 2013-02-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.90" h x .70" w x 6.90" l, 1.10 pounds
  • Binding: Paperback
  • 208 pages
Features
  • Used Book in Good Condition

Review
"An interesting work of social analysis and modern history" --Contemporary Review

"Fun to read...engaging...pleasurable" --Eugen Weber, Joan Palevsky Professor of Modern European History, UCLA.

About the Author
Barnett Singer is a professor emeritus of history at Brock University. He has published a number of other books in French history.

Most helpful customer reviews

19 of 21 people found the following review helpful.
Very expensive for what it is
By SK25
At 44 dollars and listed as a hardback I was more than shocked when a book less than 200 pages arrived! Why on earth the publishers made this into a hardback is beyond me, for such a small book (without colour photos) it's a ridiculous format.

From the opening pages the writing struck me as appalling. Not only is the style annoying (it switches between trying to sound formal to writing in a somewhat immature, talky fashion) but there are grammatical errors everywhere (I'm not a stickler for grammar but the errors were really distracting!)- was this not even edited? What's worse is that the author apparently is a history lecturer at a university so one would expect something more insightful...

Whilst the author has researched Bardot's personal history very well, the writing and assessment of Bardot is terrible. The author also has no real understanding of cinema, which is obvious in his treatment of Godard's 'Contempt', and for someone writing about a film actress I think this is a real flaw.

All in all, a very disappointing book.

7 of 8 people found the following review helpful.
A Sad Mistating of the Truth
By J. Robinson
I always hesitate to criticize a fellow author, and I do so now with some regret, but Singer's biography of Bardot completely mis-states my interaction with her. I did not simply show up one day at La Madrague with a rose. What's more, neither Mijanou nor Bernard d'Ormale... and certainly not me... twisted her arm to write the introduction of my book, Bardot - Two Lives. She did it on her own. She did it because she wanted to. Because we'd forged a friendship. Because she trusted me. And, to set the record straight, while friendships with Brigitte are always difficult, I have never violated her trust. I do not know where he got his information. If he'd asked me, I would have told him. But he failed to check with a primary source and, while I wish Singer well, he got this, and other parts of her story, very wrong. Alas.

0 of 0 people found the following review helpful.
... young woman who showed me what being sexy looked like at least on the big screen
By Amazon Customer
Brigitte Bardot was a movie star I idolized as a young woman who showed me what being sexy looked like at least on the big screen. I have followed her life because she never lost her visibility, and I was fascinated by how she eventually parlayed her sex kitten professional life into the lover and protector of animals. She was so beautiful and labeled as a "sex symbol" that her life could have been simply a story of lost youthful beauty. That's the fascination with this woman. This book addresses many of my questions and embellishes her persona as a full woman who was able to channel her love of animals with such great passion that she literally maintained her stunning persona as a unique woman of another time. I liked it.

See all 8 customer reviews...

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