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Rooms of Our Own, by Susan Gubar
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With a little help from Virginia Woolf, Susan Gubar contemplates startling transformations produced by the women's movement in recent decades. What advances have women made and what still needs to be done? Taking Woolf's classic A Room of One's Own as her guide, Gubar engages these questions by recounting one year in the life of an English professor.
A meditation on the teaching of literature and on the state of the humanities today, her chapters also provide a crash course on the challenges and changes in feminist intellectual history over the past several decades: the influence of post-structuralism and of critical race, postcolonial, and cultural studies scholarship; the stakes of queer theory and the institutionalization of women's studies; and the effects of globalism and bioengineering on conversations about gender, sex, and sexuality. Yet Rooms of Our Own eschews a scholarly approach. Instead, through narrative criticism it enlists a thoroughly contemporary cast of characters who tell us as much about the comedies and tragedies of campus life today as they do about the sometimes contentious but invariably liberating feminisms of our future.
- Sales Rank: #392505 in Books
- Published on: 2006-08-30
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .70" w x 5.50" l, .76 pounds
- Binding: Paperback
- 256 pages
From Publishers Weekly
Gubar and Sandra M. Gilbert revolutionized feminist literary criticism with their 1979 Madwoman in the Attic: The Woman Writer and the Nineteenth-century Literary Imagination. This memoir crossed with cultural criticism, written in the style of Virginia Woolf's foundational feminist manifesto, A Room of One's Own, is a valiant attempt to wed the personal and political with playful literary imitation. Using not only Woolf's structure but also her tone and language, Gubar guides the reader through an academic year (she teaches at Indiana University) as she reflects on the state of present-day feminist politics. She covers the expected topics—the place of postmodern theory in the academy, how race is now discussed in feminist literary criticism. But Gubar's slavish imitation of Woolf's style ("Imponderables that profound indubitably require dawdling, I mused, glancing out the window....") simply inhibits clear locution. A deeper problem is that Gubar's often smart insights are buried in the indirect, even rambling, style. For example, in an analysis of the dynamics at a fellowship-granting meeting, Gubar describes all of the participants as barnyard animals, but the whimsy fails, detracting from Gubar's important points. Gubar is a vital voice on academic feminist concerns, but most of this volume fails in both its literary conceit and as a coherent argument. (Nov.)
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Review
"Rooms of Our Own will charm and hearten fans of Woolf's works.Indeed, much of the delight and effectiveness of the book comes from Gubar's deft incorporation not only of Woolf's structure, but of her memorable turns of phrase. As an experiment, one cannot imagine this being done otherwise or better."
-- Maria DiBattista, professor of English and comparative literature, Princeton University
"Spoken from the heart, Rooms of Our Own provides a powerful antidote to the pessimism so often expressed about 'feminism' or 'the women's movement' or younger women's seeming lack of interest in battles that still need to be fought. Gubar, one of the foremost pioneers, addresses these issues with elegance and wit, elucidating the multiple currents swirling around gender studies and social activism today and illustrating why they still profoundly matter. Rooms of Our Own speaks as much to the students she so lovingly depicts as to those of us who teach them."
-- Brenda R. Silver, Mary Brinsmead Wheelock Professor, Dartmouth College
"If there is a young scholar, somewhere, who does not know Susan Gubar's work, or the history of feminist thought, Rooms of Our Own would make an excellent gift. Indeed, the book itself reads as a kind of gift: a gift to feminist scholars, to university communities, and to the reader rooted among either of these. Which is to say, this book is a gift to the people and institutions its author has lived among with such brilliance and wit for the past four decades as one of our most influential feminist literary critics."--Women's Studies Quarterly
About the Author
Susan Gubar, Distinguished Professor of English at Indiana University, is the author of many books, including The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, coauthored with Sandra M. Gilbert.
Most helpful customer reviews
9 of 11 people found the following review helpful.
A Woolf in Sheep's Clothing
By A Customer
In this avowedly experimental book, Susan Gubar engages the problems and polemics of feminism in the form of a campus novel. It's a brilliant conceit, and the experiment pays off: she is able to write accessibly and dangerously about debates that are often hidden by veils of jargon and political correctness.
The inspiration is Woolf, but the imitation isn't "slavish": it owes as much to "Lucky Jim" and David Lodge. And while the humour is a matter of taste - I found it delightful - the choice of form is not capricious: in a moving coda, Gubar explains why it would have been impossible to say what she has to say in conventional academic style.
If you are interested in the state of feminism, in the place of women in the academy, or you just want a taste of academic life, you couldn't find a more honest, perceptive and enjoyable read.
0 of 0 people found the following review helpful.
Nice.
By Kathleen
Great book.
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